Guitarist, singer, and songwriter
Norman Brown continues his Grammy® winning ways on Stay With Me, his
very first album for the Peak Records label. This breezy, warm
collection of ten original tunes offers a heaping helping of what the
smoothly inventive guitar technician is known for: Tasty grooves,
ear-caressing melodies, and delicious contemporary guitar licks that
manage to evoke the spirit of the classic jazz guitar giants who first
This time out, Brown has distilled his very unique musical formula,
stretching out by showcasing his urban vocals on several tunes,
including the title track, as well as writing and producing most of the
album's material himself. Explains Brown, "I did a lot of collaborating
on the last two albums, and I wanted to showcase more of my writing on
this album to show what I've learned from all that collaborating. I also
wanted to get back to producing, and I produced six of the cuts on this
record." The title Stay With Me is also encouragement to his longtime
supporters, adds Brown: "I wanted to send a message to my fans: Stick
around -- it's getting better and there's a lot here for you."
Making a special appearance is an old friend, singer-songwriter Brian
McKnight, who wrote and produced the title track "Stay With Me" and
lends his vocals to the backgrounds while Brown handles the lead vocals.
The contemporary R&B tune will delight fans who learned of Brown's vocal
skills with his 2004 urban AC hit "I Might" from his previous chart
topping album, West Coast Coolin'.
Fellow smooth jazz stars Rick Braun and Kirk Whalum reunite with Brown
for the super group BWB one more time for Brown composition "It's Not
Over" featuring Braun's trumpet and Whalum's sax magic. "I just loved
being in that group!" Brown enthuses about the ensemble. In addition,
hit-making guitarist and producer Paul Brown huddles with him to create
the tunes "Pop's Cool Groove" and "Soul Dance," and also lends his
production skills to the contemporary R&B vocal groove "I Need You."
The overall vibe of Stay With Me is set by the lead track and first
single, "Let's Take A Ride," a tune as groovy as a convertible cruise on
a sunny day. In addition to Norman's distinctive guitar melody, the tune
features his layered background harmonies. The musician says the tune
was inspired by his older brother, who first encouraged him to pick up a
guitar. "When I first wrote it, I wanted to call it 'My Buddy And Me.'
It was the kind of that thing he liked to do," Norman reminisces of the
brother the family called Popsicle until his untimely death in a car
accident when Norman was a high school senior. "The song reminded me of
that feeling I would get when I'd ride with him."
Another family member, Brown's father, was the inspiration for "Pop's
Cool Groove," an evocation of the sound of pioneering guitarist Wes
Montgomery set to a bossa nova groove. "He would sit down in the
basement and listen to me practice for hours and hours. And he really
liked Wes Montgomery and that style, so I learned that style," Brown
explains. "And when I finished this song, it was like, Oh yeah, this is
Pop's cool groove."
Other album highlights include the sexy, soul-satisfying ballad "So In
Love," the thoughtful "Every Little Thing," and the inspirational,
toe-tapping tribute "You Keep Lifting Me Higher."
Brown says that the album's overall vibe was partly inspired by his past.
Though the sunny musician is more apt look forward in his artistry, he
says fans kept telling him that his second release, After The Storm, was
their favorite album. "I won a Grammy for Just Chillin'-- didn't matter,
fans say they love that After The Storm CD," he laughs. "I had to go
back and listen to it, I had stopped listening to it, just moving
forward. So I just went back and re-lived that album. It gave me a
reminder of who I am."
Born in Shreveport, Louisiana, and raised in Kansas City, Missouri,
Brown first picked up a guitar at the age of 8. First inspired by Jimi
Hendrix, it was his father's preference for the sound of Wes Montgomery
that set Brown on his stylistic journey. After high school, he moved to
Los Angeles to pursue his musical career, attending the Musicians
Institute where he also taught for a time. While playing with his own
group in local clubs, and drawing comparisons to George Benson, Brown
was discovered and signed to the fledgling MoJazz label, a division of
Motown. He delivered his debut, Just Between Us, and followed with the
gold-certified After The Storm and Better Days Ahead.
With critical acclaim and sales behind him, the talented musician made
the leap to Warner Bros. and released Celebration, which first teamed
him with producer Paul Brown. The follow-up, Just Chillin', earned Brown
much-deserved Grammy recognition in the best pop instrumental category.
That project was followed by his release West Coast Coolin', where Brown
tested out his skills as a vocalist, a move that was embraced by the
urban AC radio market and found him topping the charts.
With changes at the Warner Bros. label, Brown was looking to make a
change. The Peak Records label, a joint venture with the Concord Music
Group, stepped in. Initially concerned that the strides he'd made in the
urban market might be discouraged, Brown says that, "Peak was totally in
harmony with that artistically. That was the biggest part of the
transition for me. I wanted to continue to be Norman Brown and do my
jazz and instrumental music, but, at Warner Bros. I had broke through to
the urban audience and want to keep reaching out to those fans as well."
Brown's audience has been expanding over the years. His compilation The
Very Best Of Norman Brown was one of the best-selling smooth jazz albums
of 2005 and 2006. Just this January, Brown's engaging personality led
Broadcast Architecture to tap him for its fledgling Smooth Jazz Network
as an on-air personality, hosting the 2 to 7 p.m. shifts on Saturdays
and Sundays. Moving forward, Brown has already cemented his tour plans,
with solo dates this spring and a roster of very special guests for the
2007 edition of his popular Norman Brown's Summer Storm tour: superstar
vocalist and Peak Records label mate Peabo Bryson, saxophonist Marion
Meadows and legendary keyboardist Jeff Lorber.
Armed with the knowledge of who he is as an artist, Brown says he spent
just four months in the studio making Stay With Me -- his shortest
recording time on a project ever. Brown adds, "I'm giving fans exactly
what they fell in love with me for: The exciting playing, my lyrical
writing, my production as well as my new growth as a singer. So I think
it's complete, it's a nice summary of where I am at this point."