Premium
guitarist Norman Brown took his time since his previous solo
album Sending My Love (2010). That was probably
caused by his collaborations with Gerald Albright (24/7)
and the group BWB (Rick Braun, Kirk Whalum, Norman Brown)
releasing Human Nature (2013) and BWB
(2016).
Let It Go (2017) is Norman's debut at Shanachie
Entertainment. What makes an instrumental guitar album to
something very special? The arrangement? The performance?
The talent? Musical enthusiasm? Certainly a bit of
everything. But also important is the overall concept of the
album.
Norman developed a coherent approach, a spiritual plan for
the ultimate acoustic moment. The intro Lessons of the
Spirit shows this intellectual style in musical
implementation. Like George Benson
Norman
is one of the
blessed guitarists always on the quest after the ideal
melody. It Keeps Coming Back is the proof that he
is often very close to the target.
Let It Go is the experience based advice, to give
up what you cannot hold back. A quiescent, self-forgotten
guitar performance that rests in itself like the mantra of a
wise man. Ooh Child written by Stan Vincent and
first released by the Five Stairsteps in 1970 attracted many
musicians to cover versions. Norman Brown counts on the
characteristic vocals of singer TrayCar aka Tracy Carter,
and his extraordinary ability to accompany Norman's guitar
with scat.
Conversations is a song about our inner voice and
the external influences, which we have to balance to find
the right way. The song features the Sisters of Unbreakable
love S.O.U.L. LaNika Tapii, Kesha Jaramilla, Rachelle Brown
in connection with TrayCar in perfect vocal harmony.
Living Out Your Destiny is the third song of the vocal
trilogy presenting these vocalists combining style elements
of smooth jazz and musicals.
Holding You is Norman's fulfillment of a lifelong
dream, to reunite with the enthralling Chanté Moore
in a mesmerizing duet.
Can it be something other than a love song? The North
Star features saxophonist Marion Meadows. The first
part of the tune is so far very special, as both play in
sync, before they dissolve in the second part in a question
and answer mode. Musician and composer Arlington Jones
shares with Norman the opinion, that music definitely has a
message. In the case of Very Woman the focus of the
theme is obvious.
Liberated outbursts in joy, lightening, triumph, a
conglomerate of positive emotions. Star-trumpeter Rick Braun
and sax legend Kirk Whalum join Norman in the best known
formation BWB. The overall stunning piece shines with a
Salsa twist on the second half. On Remember Who You Are
Norman's guitar riffs are the glue that allows the tune to
win. Kirk plays a secondary role and lets Norman stay in the
limelight. The final tune Man In The Mirror starts
with a minimalistic introduction of guitar and percussion,
before further instruments join in and than the vocals of
Sounds of Blackness. A revelation and worthy homage to the
greatest Pop legend of all time Michael Jackson.
Norman Brown's Let It Go is powered by great vocal
potential. Compared to his previous albums however, this
leads to the reduction of the instrumental pieces. As one of
the icons of smooth jazz Norman stays on the pinnacle of his
musical career and has blessed us again with this work of
excellence.
Biography
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