It's
longtime ago that Elliot Levine toured with Wilson Pickett and Heatwave.
But you can still attend his concerts at numerous festivals
and venues. For a
complete survey about his events visit his website.
His first solo project was With Light Images
(1993), a jazz fusion album. On Urban Grooves (1997) Elliot
entered the smooth jazz genre. Later he released Smash (2000),
The Funk, The Whole Funk And Nothin' But The Funk (2004) and
Live +7 (2008). I haven't include his mp3.com releases.
Now he is back with 347 Live! (2013), in parts his second live
album. The tracks 4,6 and 7 were recorded at Club 347, March 21, 2013.
The album features vocalists Brian Blunt and Koshka Raynelle. Brian
Blunt sang backup for Bruce Springsteen at the Superbowl. Koshka
Raynelle performed on America's Got Talent and American Idol. Further
musicians are Bt Richardson (bass), Bo Thomas (drums), Ernest Raheem
(bass), Earl
Ivey (drums), and Jim Carney.
On the first tune Adorn Blunt's
vocals and Elliot's melt into an
irresistible ballade. Ernest Raheem's
Funky Bass Line is perfectly supported by Levine with a vintage
organ sound. With Woodlawn Drive Elliot designs the sketch of a
road that he brought to life with piano tones.
Elliot (organ) and Ernest (bass) met again to the stellar Ain't Leavin'
Without You, on which both write
improvisations in big letters. Bad Habits features anew
singer Brian Blunt, who walks on the falsetto path
of Philip Bailey. Sweet Thing is a revelation. Koshka Raynelle
is an outstanding singer with a great range. Elliot's
instrumentation perfectly fits to her interpretation.
This combination even works better on the cover of Ain't Nobody.
She can oppose her own approach to Chaka Khan's
vocal power. The Isley Brothers recorded Footsteps in the Dark
in 1977. This rendition featuring Brian Blunt is very close to the
original. Own compositions like Fenton
Street or Urban Grooves speak for
Elliot's writer skills.
But also the technical implementation of jazz classics like Miles Davis'
So What succeeds regularly. When it comes to
experimental
Looked at in that light Elliot's music falls out of the ordinary, but
makes them interesting.
Biography
Album Information Further reviews:
The Funk, The Whole Funk and Nothin’ but the Funk
|