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New
Reviews in Starportrait |
Ukraine
based saxophonist Andrey Chmut has already introduced himself to the
smooth jazz community with his debut album Smoothability
(2018). Only two years later he presents the successor Soulmate
(2020) on the same label Skytown Records.
[ more]
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New Reviews in First View |
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Jean-Paul 'Bluey' Maunick's creative power is inexhaustible. Even
though his main focus is the group Incognito, he still finds time
for his side projects, which include Citrus Sun. Besides Bluey his
group consists of keyboard player Matt Cooper, bassist Francis
Hylton, guitarist Francisco Sales and drummer Francesco Mendolia.
The group is completed with guitarist Jim Mullen, trumpet player
Dominic Glover, the
vocalists Noel McKoy, Valerie Etienne, Hazel Fernandes and Deborah
Bond and finally harmonica player Rega Dauna.
[more]
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New Reviews in Flashback |
Bassist
Jimmy Haslip has released in his solo career only three albums. His debut
album Arc came out in 1993. His sophomore album Red
Heat was released in 2000 on Unitone Recordings followed by
Nightfall in 2010 on VIE Records. The latter two albums are now
newly released on Blue Canoe Recordings.
[more]
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In Focus - New Impressions |
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Chicago
born R&B/jazz singer Tracey Eileen is since eleven years in the
music business and developed from a local player to an
internationally known soul/R&B artist. Starting with her debut
album Love's Journey in 2012 she arrived to her second
album Why Did I Say Yes (2018). Her third project is
the EP It's Time, which appears delayed by the pandemic
in June 12, 2020.
[more] |
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New
Reviews in Woodrow Wilkins' The Jazz Writer |
For something a little different, give a listen to
pianist Isamu McGregor’s Resonance (Ghost
Note Records, 2017). The music moves from
breathtaking to symphonic to placid to
hard-charging.
[more]
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Elegy For Dave Samuels |
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Morning Dance
That opening riff. Hear that, and you know what's coming.
[more]
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New Reviews in Chris Mann's Diggin'
Deeper |
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If you have been a fan of British jazz-funk and soul music for more than twenty years, you’ll know Shakatak. And if you know Shakatak, you’ll know George Anderson – he’s been holding down the low end since the early 80’s.
[more] |
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