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New
Reviews in Starportrait |
Kenney
Polson has developed a strong relationship with Brazil. After
all, he lived in Rio de Janeiro for several years. Colors Of
Brazil is accordingly a kind of retrospective of this
period of his life and the result of the musical influences from
that time. The circumstance that the relationship has not yet
broken off is evident, four of the recordings on this
album were made in Brazil..
[ more]
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New Reviews in First View |
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Groove Frequencies is a project by bassist, keyboardist and writer
Johnny E. Stewart. After In The Groove (2017), Groove Frequencies
(2018), Back To The
Groove (2019), the fourth project is Grooves To Go
(2021).
[more]
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New Reviews in Flashback |
Saxophonist,
composer, arranger Fulvio Palese studied saxophone at the
Conservatory of Lecce and is a PhD in philosophy at the University
of Salento. He is currently professor of jazz saxophone at the "T.
Schipa" Conservatory of Lecce, teacher of saxophone at the Liceo
Musicale "G. Palmieri" of Lecce, and at the DAMUS Academy of Lecce
and the comprehensive "I. Calvino "di Alliste and teacher of
improvisation and jazz ensemble music at the" Amici della musica
"Association of Presicce.
[more]
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In Focus - New Impressions |
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Hailing from South Africa Karén Devroop
finished his studies in Texas, USA. After his
return to SA he is now Artistic Director of Music
Competitions at Unisa - The University of South
Africa, Acting Director of Music at University of
South Africa (UNISA) Music Foundation and
Director, on the School of Music at NWU -
North-West University and lives in Pretoria.
[more] |
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New
Reviews in Woodrow Wilkins' The Jazz Writer |
For something a little different, give a listen to
pianist Isamu McGregor’s Resonance (Ghost
Note Records, 2017). The music moves from
breathtaking to symphonic to placid to
hard-charging.
[more]
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Elegy For Dave Samuels |
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Morning Dance
That opening riff. Hear that, and you know what's coming.
[more]
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New Reviews in Chris Mann's Diggin'
Deeper |
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If you have been a fan of British jazz-funk and soul music for more than twenty years, you’ll know Shakatak. And if you know Shakatak, you’ll know George Anderson – he’s been holding down the low end since the early 80’s.
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